William Shirley • Artist, Saratoga Springs, NY, USA
A ceramic artist, sculptor, and blacksmith whose practice is grounded in the full arc of making — from kiln design and construction to finished object. Raised in Arizona, early exposure to Indigenous ceramic history through the Heard Museum — alongside a grandfather who worked marble — established a foundation rooted in materials, process, and the long history of the handmade. Formal collaborations with master ceramicist Regis Brodie at Skidmore College shaped a discipline that now spans wood-fired Greek and multi-chambered noborigama kilns, salt glazing, charcoal-fired bronze casting, and iron forging. Drawing on Norse, Celtic, and early Japanese traditions, the work is further informed by myth, poetic verse, and the harder passages of lived experience — sources that press meaning into form without declaring it outright. The result is vessels and forged objects that carry the weight of historical precedent while remaining distinctly of the present.
"Throughout my life I have been studying the past, especially the technologies which produced all those wonderful objects in the museums. I want to know how the things were made and I can best understand the work by replicating the processes, building period kilns, processing clay from the land and firing with wood over time to see if what I make can compare with the masters of old. Deriving inspiration from the various art movements I try to create objects which will be valued and appreciated over time, maybe even becoming treasured family heirlooms." -William Shirley